On the songs of power.

Among many powerful notions in the world of Arda few are more potent than music and language. Music is the essential element of Arda, its heart and soul, as the world was created and shaped by the majestic Music of the Ainur. And it was the word of Ilúvatar — Eä! — that brought the created vision to life. Read more

On the wonders of Faërie.

Mortals’ attitude to Faërie and being there defines the nature of their experience in the Otherworld. Arrogance, impudence, importunity or inner evil, though unwitting at times, can lead to various degrees of disaster. What is the best way to approach Faërie then? There is a character in Tolkien’s writings who shows how mortals can visit the world of Elves happily, enjoy the experience and become enlightened by it. It is Smith from Wootton Major. Read more

On the perils of Faërie.

“Faërie is a perilous land, and in it are pitfalls for the unwary and dungeons for the overbold”.

J. R. R. Tolkien (On Fairy-Stories)

When it comes to Faërie, mortals must exercise great care in dealing with it. While the land of eternal life and plenty presents a desirable destination for many, it is not fit for earthly beings, save for a temporary abode or occasional visits, most likely for a special reason and with a seal of approval from Faërie inhabitants themselves. Read more

Christopher Tolkien: the son’s literary feat.

Tolkien readers, scholars and enthusiasts of today are incredibly fortunate as they have a unique collection of Professor’s writings available to them. Apart from The Hobbit, The Lord of the Rings, some poems, short stories and academic papers, which appeared during Tolkien’s life, there are also posthumously published works, including early and transitional versions of the well-known stories, non-Middle-earth and academic writings. None of this would have been possible, though, had it not been for Tolkien’s son Christopher. Read more

Escape to the book: J. R. R. Tolkien’s view on escapism from the realia of the Robot Age.

When we speak about fantasy or fairy-tales, the term “escapist literature” often goes hand in hand with them. However, it is not always used in a good sense: while some view escapism as good and harmless, others treat it with contempt and mistrust. Read more

When the Nine are abroad.

Following the success of The Hobbit, Tolkien was asked to write the sequel to it: the publisher and the public wanted more adventures of the Hobbits. As the Professor began working on the follow-up to his story, the new tale, which eventually became The Lord of the Rings, was slowly diverging from the light tone of The Hobbit and the area of children’s literature into the darker and more sinister realm. One of the chief contributors to the darkness of the new tale were the Black Riders. Read more

On Hobbits.

Hobbits are incredibly interesting folk who, keeping in mind their absence from the public eye in the Elder Days, First and Second Ages, come to play a huge role in the events of the Third. After The Hobbit came out in 1937, readers were eager to learn more about Hobbits and this public interest called for the sequel. The Hobbits’ adventures in The Lord of the Rings are very different from those of Bilbo Baggins, but they still show them as remarkable folk who deserve our greatest attention. Let’s have a look at the collection of facts, some of which I shared as part of my 1 like = 1 Hobbit fact interactive on Twitter on October 25. It is by no means a full list, so I encourage you, my dear readers, to share your favourite Hobbit facts in the comments below. Read more