Creative processes can often be unpredictable and uncontrollable. It is especially true when applied to writing. Planning to create a piece, a writer might end up somewhere totally different from his initial intention, but by doing so to open a new door offering a fascinating path to take. It is very likely that when J. R. R. Tolkien put pen to paper following a request to write an introduction to George MacDonald’s Golden Key, little did he know where it would take him. Read more
Professor Tolkien was a great lover of nature: he was keenly aware of the flora around him, loved trees profoundly and respected them. Thus, trees and various plants appear in his books extensively, and are far from being in the background of events.
In Tolkien’s universe various notions can have special significance, which sometimes shows in small details and aspects. The concepts of light and darkness are deep and far-reaching: sometimes they are not a mere background for a story, but a very important player in the events of Middle-earth. In the present reflection I am going to look into the matter of sunlight and its influence on the dark powers of Middle-earth.
Mysteries are something that in many ways appeals to humans: the unknown is always intriguing. In the world of Arda there are some unresolved mysteries that inspire a lot of questions. Even in such a detailed and thought-out world not everything was explained by Tolkien, so these lacunae often offer a great freedom for speculation. One of the greatest mysteries of Arda is Tom Bombadil.
Alongside common and rather familiar to us food J. R. R. Tolkien’s stories sometimes feature provisions not very typical of our world. Apart from being the means of nutrition, they also have potent powers, like, for instance, lembas. The waybread of the Elves is able to revive one’s powers even after a small bite. There is also a drink with similar qualities, and that is miruvor.
Those who read Tolkien deeply and wish to discover more about his Legendarium could have noticed the word Gnomes in the early versions of the tales that the Professor used to refer to the Elves known as the Noldor. Later, though, he abandoned the term opting only for the Quenya word Noldor instead. This change has a history.
The world of Arda is full of fascinating characters and creatures not found in other tales or mythologies or, in any case, not in the same form J. R. R. Tolkien envisioned them in his books. Owing to a well-developed system of languages, it was possible for the Professor to use precise words in his invented tongues, for example in Quenya or Sindarin, to name those characters whose identities it was not always possible to render accurately in English. In a letter Tolkien mused that he was “under the difficulty of finding English names for mythological creatures with other names”. He did it so as not to shower his readers with “a string of Elvish names”, but some interpretations were false, according to Tolkien himself. One of the most interesting examples of this is Istari or the Wizards.
Reading books where characters go on a quest or an adventure usually have a great appeal to most readers. It is not surprising: travelling to different places, whether in your imagination by means of a book or physically in reality, has always been especially thrilling.
Language creation was one of the greatest interests that J. R. R. Tolkien had in his life. The Professor’s stories were closely connected with his invented tongues which were an integral and vital part of the whole mythology of Arda. There are a lot of various aspects to look at Tolkien’s language creation from, so to begin with the exploration of this amazing manifestation of his creativity, I am going to look into what makes Tolkien’s languages resemble those we speak in our world.