Sauron should be thought of as very terrible. The form that he took was
that of a man of more than human stature, but not gigantic.
In his earlier incarnation he was able to veil his power
(as Gandalf did) and could appear as a commanding
figure of great strength of body and supremely
royal demeanour and countenance.
(Letters, № 246)
Readers of The Lord of the Rings are well aware of Sauron’s being the chief menace of the Second and Third Ages after the capture of Morgoth and the War of Wrath. What is rather obscure, though, is what the great Middle-earth adversary looked like. In his writings and letters Tolkien gave a few clues concerning the looks of Sauron, leaving all the rest to his readers’ imagination.
Indis the Fair of the Vanyar, who became King Finwë’s second wife after Míriel’s firm decision to stay in Mandos, is a vivid embodiment of hope and patience capable of healing.
The figure of Míriel, the wife of Finwë the first High King of the Noldor, is tragic and touching. The mother of Fëanor and an unsurpassed broideress, she set a very unusual precedent in the Elvish tradition. Read more
A lot is known about the Elves and their deeds in Middle-earth. However, those who stayed behind and did not go into exile have similarly fascinating personalities. In this series of reflections I would like to explore some of the female characters who dwelt in Aman, look into their stories and discover more about the ladies who had to make many tough decisions. The first character sketch of the series is dedicated to Nerdanel.
It is very often that Fëanor is remembered for grievous deeds and worst manifestations of his complex, albeit fascinating, character. However, being a gifted and skilful Noldo, he contributed a lot to Elvish craftsmanship, culture and traditions. His works were meant to be useful, unique and long-lasting, with some things surviving well into the Third Age and remaining long after Fëanor himself was no more.
Being the chief villain of the Second and Third Ages, Sauron sparks numerous questions concerning his motives. How did he become the evil figure we know him to be? Why did he run the risk of transferring a great amount of his inherent power into the One Ring knowing that it could lead to his destruction? Let us look at his downfall and motives through Tolkien’s own stories and letters.
The topic of death is one of the most important pillars that Tolkien’s mythology is supported by. He used different approaches to explore death in his writings, careful to show various aspects of this delicate topic. Escape from death as a notion was one of the most important purposes of fantasy and fairy-tales in Tolkien’s view. He calls it the Great Escape in On Fairy-Stories. “Fairy-stories provide many examples and modes of this—which might be called the genuine escapist, or (I would say) fugitive spirit” (1), Tolkien writes. But this perspective, this need for the Great Escape, is human. What if we walk in Elvish shoes for a while and look at death from their point of view?
Eala Earendel engla beorhtast
Ofer middangeard monnum sended
How very often we can be inspired by a small thing only — small, yet significant in a way that we could never have fathomed. Small things have a way of hiding a vast background behind them which comes alive only under certain circumstances. Looking now at the great world sub-created by J. R. R. Tolkien it can be hard to believe that it was only one world that ignited his imagination and set him on the path of forming it. It was earendel. Read more