J. R. R. Tolkien was a great lover of words. It showed both — in his extensive vocabulary and talent to choose words with great precision to make his texts come alive with various shades of lexical meanings. One of the most special traits of Tolkien’s writing was a mastery usage of archaic style. A particularly interesting example of obsolete vocabulary can be found in The Hobbit.
Interrupted feasts make a recurring theme in Tolkien. Some of these are minor interruptions, like Dwarvish intrusions into Elvish merrymakings in Mirkwood: they cause mostly annoyance to the Elves, rather than present a serious threat. Other feast interruptions to be found in Tolkien’s tales are far from being annoying trifles and have serious social implications.
What is language for a people? The most obvious answer is that it is a means of communication. But what if we look deeper and examine other properties of language rather than communication alone?
As a gifted and prolific philologist, J. R. R. Tolkien had great love of languages. During his life he studied many tongues of old: Gothic, Old English, Old Norse, and for Tolkien the languages were closely connected with the tales of the people who spoke them. Those tongues and tales influenced him, all in different ways, but one thing remains: Tolkien realised very well that language and mythology form one inseparable whole, and this interdependence permeates his own mythology of Middle-earth which rose out of his invented language.
Indis the Fair of the Vanyar, who became King Finwë’s second wife after Míriel’s firm decision to stay in Mandos, is a vivid embodiment of hope and patience capable of healing.
The figure of Míriel, the wife of Finwë the first High King of the Noldor, is tragic and touching. The mother of Fëanor and an unsurpassed broideress, she set a very unusual precedent in the Elvish tradition. Read more
A lot is known about the Elves and their deeds in Middle-earth. However, those who stayed behind and did not go into exile have similarly fascinating personalities. In this series of reflections I would like to explore some of the female characters who dwelt in Aman, look into their stories and discover more about the ladies who had to make many tough decisions. The first character sketch of the series is dedicated to Nerdanel.
It is very often that Fëanor is remembered for grievous deeds and worst manifestations of his complex, albeit fascinating, character. However, being a gifted and skilful Noldo, he contributed a lot to Elvish craftsmanship, culture and traditions. His works were meant to be useful, unique and long-lasting, with some things surviving well into the Third Age and remaining long after Fëanor himself was no more.
Being the chief villain of the Second and Third Ages, Sauron sparks numerous questions concerning his motives. How did he become the evil figure we know him to be? Why did he run the risk of transferring a great amount of his inherent power into the One Ring knowing that it could lead to his destruction? Let us look at his downfall and motives through Tolkien’s own stories and letters.
