The figure of Míriel, the wife of Finwë the first High King of the Noldor, is tragic and touching. The mother of Fëanor and an unsurpassed broideress, she set a very unusual precedent in the Elvish tradition. Read more
A lot is known about the Elves and their deeds in Middle-earth. However, those who stayed behind and did not go into exile have similarly fascinating personalities. In this series of reflections I would like to explore some of the female characters who dwelt in Aman, look into their stories and discover more about the ladies who had to make many tough decisions. The first character sketch of the series is dedicated to Nerdanel.
It is very often that Fëanor is remembered for grievous deeds and worst manifestations of his complex, albeit fascinating, character. However, being a gifted and skilful Noldo, he contributed a lot to Elvish craftsmanship, culture and traditions. His works were meant to be useful, unique and long-lasting, with some things surviving well into the Third Age and remaining long after Fëanor himself was no more.
Being the chief villain of the Second and Third Ages, Sauron sparks numerous questions concerning his motives. How did he become the evil figure we know him to be? Why did he run the risk of transferring a great amount of his inherent power into the One Ring knowing that it could lead to his destruction? Let us look at his downfall and motives through Tolkien’s own stories and letters.
…Barad-dûr, the Dark Tower, which suffered no rival,
and laughed at flattery, biding its time,
secure in its pride and its immeasurable strength.
(Two Towers, p. 192)
Just like Angband in the First Age became the citadel of Morgoth — the embodiment of evil and the Dark Lord’s tyranny in Middle-earth, so did Barad-dûr rise to fill its place in the Second and Third Ages as the fortress of Sauron. In many ways the Dark Tower of Mordor, built by once Morgoth’s most trusted lieutenant, became the descendant of Angband, sharing traits with it, but also being the reflection of Sauron’s own power, character, ambitions and evil. Read more
The fairest of all Children of Ilúvatar, Lúthien is not an ordinary character. Being the daughter of an Elf and a Maia, she inherited various traits of both kindreds. Among many of her gifts and skills singing was one of the most exceptional. However, when it comes to talking about Lúthien’s singing, we should bear in mind that hers was not renowned just for being done in a beautiful voice. Lúthien’s songs possessed special power.
The closing chapter of Roverandom is a good example of a happy turn of events when you least expect it. Moreover, it is where we can see the results of Rover’s moral journey and how he has changed over the course of the story.
Chapter 4 is the longest one in Roverandom. It takes our dog, as he becomes Rover for a while again, on the next leg of his journey and to an absolutely new place: down to the bottom of the ocean.
In chapter 3 Roverandom’s adventures take a new turn. He gets a chance to explore the place on the Moon none has seen before. As a final stage of his stay there, it gives him a very interesting perspective and shows the dark side of the Moon, in both meanings of the word “dark”.