The Firstborn Children of Ilúvatar, Elves, are fair and wise, possess great knowledge and supreme skills in crafts, are gifted in creating new things and versed in lore. All of these are native to their nature and being. Another aspect of Elvish essence that makes them very different from other dwellers of Middle-earth is their special outlook on life based around hope.
In my personal universe winter is closely associated with the development of my fascination with Tolkien. It was in December that I first picked up The Hobbit and The Lord of the Rings, with the latter sitting on my bookshelf for several years after the purchase, untouched and unopened, biding its time to storm into my life precisely when it meant to. I spent the whole last month of the year with my nose buried in the books, unable to part with the stories. However, no matter how much I loved The Hobbit and The Lord of the Rings, it was my January dive into The Silmarillion that sealed my respect and love of Tolkien’s books and turned me from just a reader into the student of his works.
Over the course of Middle-earth history its villains have always been inventive in hiding the places of their habitation as much as they possibly could so that nothing and nobody could interfere with their evil deeds. Various camouflage devices have been applied, beginning with going deep underground to veiling tall towers in shadows and deceits. Unsurprisingly, the first bad boy to go subterranean was Melkor: he had set the trend for living below ground level way before the counting of time even started.
Sauron should be thought of as very terrible. The form that he took was
that of a man of more than human stature, but not gigantic.
In his earlier incarnation he was able to veil his power
(as Gandalf did) and could appear as a commanding
figure of great strength of body and supremely
royal demeanour and countenance.
(Letters, № 246)
Readers of The Lord of the Rings are well aware of Sauron’s being the chief menace of the Second and Third Ages after the capture of Morgoth and the War of Wrath. What is rather obscure, though, is what the great Middle-earth adversary looked like. In his writings and letters Tolkien gave a few clues concerning the looks of Sauron, leaving all the rest to his readers’ imagination.
Professor Tolkien was a great lover of nature: he was keenly aware of the flora around him, loved trees profoundly and respected them. Thus, trees and various plants appear in his books extensively, and are far from being in the background of events.
In Tolkien’s universe various notions can have special significance, which sometimes shows in small details and aspects. The concepts of light and darkness are deep and far-reaching: sometimes they are not a mere background for a story, but a very important player in the events of Middle-earth. In the present reflection I am going to look into the matter of sunlight and its influence on the dark powers of Middle-earth.
Those who read Tolkien deeply and wish to discover more about his Legendarium could have noticed the word Gnomes in the early versions of the tales that the Professor used to refer to the Elves known as the Noldor. Later, though, he abandoned the term opting only for the Quenya word Noldor instead. This change has a history.
The world of Arda is full of fascinating characters and creatures not found in other tales or mythologies or, in any case, not in the same form J. R. R. Tolkien envisioned them in his books. Owing to a well-developed system of languages, it was possible for the Professor to use precise words in his invented tongues, for example in Quenya or Sindarin, to name those characters whose identities it was not always possible to render accurately in English. In a letter Tolkien mused that he was “under the difficulty of finding English names for mythological creatures with other names”. He did it so as not to shower his readers with “a string of Elvish names”, but some interpretations were false, according to Tolkien himself. One of the most interesting examples of this is Istari or the Wizards.
Very often weather can play an important role in narratives and become a major player in certain episodes. Natural phenomena can either help or hinder characters in different stories and thus influence the course of events greatly.